Otani Workshop
When I Was Seventeen, I Learned About Giacometti from My Art Teacher and Became Drawn to Sculpture—and So I Make Sculptures Now
Published in 2019 by Kaikai Kiki
Make no mistake: despite the name, Otani Workshop does not refer to a collective of artists, but to a singular, an eminently singular sculptor who has become the leading representative of Japanese ceramics. Silent and literally bulging heads, figures with their arms raised like praying figures, monumental middle fingers extended upwards, anthropomorphic vases, children, animals, soils, bronzes: Otani Workshop’s bestiary is a world in itself, a world in which dreams and tales converge as well as fantasies and daydreams, a world in which the queenly imagination and the kingly gesture triumph, in which forces and forms meet.
Courtesy of Perrotin
When I Was Seventeen, I Learned About Giacometti from My Art Teacher and Became Drawn to Sculpture—and So I Make Sculptures Now
Published in 2019 by Kaikai Kiki
Make no mistake: despite the name, Otani Workshop does not refer to a collective of artists, but to a singular, an eminently singular sculptor who has become the leading representative of Japanese ceramics. Silent and literally bulging heads, figures with their arms raised like praying figures, monumental middle fingers extended upwards, anthropomorphic vases, children, animals, soils, bronzes: Otani Workshop’s bestiary is a world in itself, a world in which dreams and tales converge as well as fantasies and daydreams, a world in which the queenly imagination and the kingly gesture triumph, in which forces and forms meet.
Courtesy of Perrotin
When I Was Seventeen, I Learned About Giacometti from My Art Teacher and Became Drawn to Sculpture—and So I Make Sculptures Now
Published in 2019 by Kaikai Kiki
Make no mistake: despite the name, Otani Workshop does not refer to a collective of artists, but to a singular, an eminently singular sculptor who has become the leading representative of Japanese ceramics. Silent and literally bulging heads, figures with their arms raised like praying figures, monumental middle fingers extended upwards, anthropomorphic vases, children, animals, soils, bronzes: Otani Workshop’s bestiary is a world in itself, a world in which dreams and tales converge as well as fantasies and daydreams, a world in which the queenly imagination and the kingly gesture triumph, in which forces and forms meet.
Courtesy of Perrotin
Product Details
Page count: 176
Product dimensions: 10.6(h) x 7.6(w)
Binding: Hardcover
Language: English, Japanese
![TOKYO SPACE DIARY [BACK].jpg](https://images.squarespace-cdn.com/content/v1/615f557e5c94f82402c4e3ad/0be44b89-baf7-4a09-b93b-5de4a9c40dcf/TOKYO+SPACE+DIARY+%5BBACK%5D.jpg)
![NANA [FRONT] + SLEEVE.jpg](https://images.squarespace-cdn.com/content/v1/615f557e5c94f82402c4e3ad/1722036429241-FSKKVDG3RD3Z4T9UOMAI/NANA+%5BFRONT%5D+%2B+SLEEVE.jpg)
