Rinko Kawauchi — The eyes, the ears
2005, FOIL, Japan
The eyes, the ears is a photography book that consists daily life scenes photographed by Rinko Kawauchi - she portrays the beauty in her usual everyday life of flowers, insects, people, and scenery with a touch of her soft spoken words that carry heavy meaning.
Rinko Kawauchi is a contemporary photographer from Japan. Kawauchi's work focuses on ordinary things and everyday situations. Her photographs attain their specific quality through her use of cropping and choice of perspective as well as the subtle use of natural light in combination with often virtually transparent colours. Rinko Kawauchi works in series, which, in the form of open narratives, combine poetry and emotion with representations of mortality and occasional melancholy.
Whatever her mood, Rinko Kawauchi says that taking pictures is as natural to her as drinking tea: she seizes upon anything that strikes her; insects, children, animals, scraps of ordinary life, tin scraps of life that embody - more often than not - the ephemeral. Inexhaustibly, her work constructs a new kind of inventory, the unacknowledged purpose of which is to emphasize connections between human beings and the natural or animal world. Her subject-matter is, in appearance, banal: a pan with eggs to be fried, worn rope, a child seen from behind, a dead bug and so on. But there is always another dimension. Rinko Kawauchi's eye feeds off a wealth of everyday images in order to display poetic force - a process which may sound hubristic but actually conducted with characteristically Japanese discretion.
Courtesy of basho Gallery
2005, FOIL, Japan
The eyes, the ears is a photography book that consists daily life scenes photographed by Rinko Kawauchi - she portrays the beauty in her usual everyday life of flowers, insects, people, and scenery with a touch of her soft spoken words that carry heavy meaning.
Rinko Kawauchi is a contemporary photographer from Japan. Kawauchi's work focuses on ordinary things and everyday situations. Her photographs attain their specific quality through her use of cropping and choice of perspective as well as the subtle use of natural light in combination with often virtually transparent colours. Rinko Kawauchi works in series, which, in the form of open narratives, combine poetry and emotion with representations of mortality and occasional melancholy.
Whatever her mood, Rinko Kawauchi says that taking pictures is as natural to her as drinking tea: she seizes upon anything that strikes her; insects, children, animals, scraps of ordinary life, tin scraps of life that embody - more often than not - the ephemeral. Inexhaustibly, her work constructs a new kind of inventory, the unacknowledged purpose of which is to emphasize connections between human beings and the natural or animal world. Her subject-matter is, in appearance, banal: a pan with eggs to be fried, worn rope, a child seen from behind, a dead bug and so on. But there is always another dimension. Rinko Kawauchi's eye feeds off a wealth of everyday images in order to display poetic force - a process which may sound hubristic but actually conducted with characteristically Japanese discretion.
Courtesy of basho Gallery
2005, FOIL, Japan
The eyes, the ears is a photography book that consists daily life scenes photographed by Rinko Kawauchi - she portrays the beauty in her usual everyday life of flowers, insects, people, and scenery with a touch of her soft spoken words that carry heavy meaning.
Rinko Kawauchi is a contemporary photographer from Japan. Kawauchi's work focuses on ordinary things and everyday situations. Her photographs attain their specific quality through her use of cropping and choice of perspective as well as the subtle use of natural light in combination with often virtually transparent colours. Rinko Kawauchi works in series, which, in the form of open narratives, combine poetry and emotion with representations of mortality and occasional melancholy.
Whatever her mood, Rinko Kawauchi says that taking pictures is as natural to her as drinking tea: she seizes upon anything that strikes her; insects, children, animals, scraps of ordinary life, tin scraps of life that embody - more often than not - the ephemeral. Inexhaustibly, her work constructs a new kind of inventory, the unacknowledged purpose of which is to emphasize connections between human beings and the natural or animal world. Her subject-matter is, in appearance, banal: a pan with eggs to be fried, worn rope, a child seen from behind, a dead bug and so on. But there is always another dimension. Rinko Kawauchi's eye feeds off a wealth of everyday images in order to display poetic force - a process which may sound hubristic but actually conducted with characteristically Japanese discretion.
Courtesy of basho Gallery
Product Details
Page count: 112
Product dimensions: 8.82(h) x 5.91(w)
Binding: Hardcover
Language: English, Japanese
